Tuesday, February 26, 2013
Behind the scenes...
For those curious about such things, here's a "behind the scenes" look at where the Requiem novels are created.
Here is the Writing Corner. This is where the books are written! Items of interest: a Chinese sword, a TARDIS and Dalek, a Tim Hortons mug, and a good luck cat.
And here's the Editing Corner. This is where my editor, Anne Victory, edits the books! Items of interest: Battlestar Galactica clock, a plush griffin (on top of the printer), and a hand-crocheted cat mat.
Thursday, February 7, 2013
Guest Blog -- Editing a Manuscript
Hello everyone. Today we have a guest blog post from Meghan Ivarsson from Scholar Advisor. Meghan talks a little about editing a manuscript. Thanks, Meghan!
How to edit a manuscript
There are several options available to a writer if he wishes to edit his manuscript. Editing may need to be done a certain way if you wish to submit your text to a publisher. Having your text printed by a publisher means you not having to pay the costs of publishing and printing a book that you want to offer and sell to the public. In order to do this you should contact several publishers and ascertain their editing, formatting and submission guidelines.
If you do manage to have your text accepted by a publisher then the publishing costs will be borne by the publisher. In addition, when a writer manages to enter into a contract with a publisher, the writer is normally paid by the latter, who determines the amount of the fee according to pre-established contractual agreements between the two parties. In other cases, you may personally edit the manuscript, but before you do it is a good idea to contact a printer, whom will advise you upon your best options for layout, coverage, format and other parameters, but in this case, publishing costs remain the responsibility of the writer.
Proofread repeatedly until your eyes weep
Hunt for misspellings and typos. A typo can create a perfectly spelt word and plonk it in the wrong place. The transition from reading to writing to reading is an important step. When we write we are encased in writing bubble, and we lose the ability to judge the true quality of our text. The confusion comes from the balance between the pleasure he took in writing and the pleasure that comes from reading it. This is why it is a good idea to proofread your text again in a week so that you can look at it with a colder and more analytical eye.
Don’t trust your friends and family
You can try to hand your manuscript to those with whom you have real confidence, but their input will be faulty for a number of reasons, and you risk your relationship with them. The important thing is not just to rely on their continued support, because they have no vested interest in your success or failure. They may be useful for ideas and encouraging phrases, but you cannot rely on their judgement being sincere or accurate.
Writing is more than just content creation
The value of writing is often much more than the end result. It may be used to experience free thought or make a personal confession, maybe even to engage in a confrontation with oneself. Literary value however is another matter.
Targeting the editor is paramount
Even if you edit your work yourself, if you wish to have your work accepted then it will need to be edited again. Nothing is more exasperating for a publisher to receive a manuscript that does not correspond at all to the spirit of his house. Many aspirants indeed commit the blunder of sending their texts haphazardly. If you want a publisher to become interested in your text, make the effort to get interested in his.
Learn about the specific publishing houses and take the time to browse their books in book stores and libraries. Fairs are also a great way to become familiar with the production of smaller publishers. You can make contact with a publisher and figure out what sort of introduction they prefer, so you can send your manuscript a few days later. But above all, do not make the mistake of soliciting an editor at a trade fair, because they do not come to collect the prose of aspiring writers, they are there to publicize and sell their books.
Follow the guidelines of the publishers
Doing this will also include following certain unspoken guidelines, which you should have discerned from your research to target the editor. For example, some publishers will ask that you edit out any foul language, but your research into their current publications will show you how far to go. Some publishers will accept words such as “Bastard” even if it is used in the expletive sense. Others however will not even accept the word “Hell”, even if it is literally describing the pit of fire. Your research will show you if using the word “Bitch” in the expletive is okay, or if it is completely out of bounds even for describing a female dog.
Edit for the spirit of the publishing house
Again, your research should give you an idea of the spirit of the publishing house. Do they prefer gritty and convoluted text, or do all of their narratives have a happy ending? Are most of their publications filled with some kind of Ork or sword bearing hero? Or do most of their texts aim for exciting the usually inhibited woman? How much fantasy will your publisher accept? And would it help you to edit out some of the more unbelievable aspects of your manuscript? Are there texts mostly negative or positive? Do they seem to have an agenda? Do most of their books push a Green angle or a Republican angle? Could you edit your text so that it leans more heavily in the direction your chosen publisher prefers? E.g. more Green, more republican...
Learn from your editing mistakes
You are bound to make some, and poor editing may be the reason for your repeated rejections. However, you should be aware that publishers retain only 1% of the texts they receive (and they receive a lot). If the refusal is served upon you via a letter or email then it may hold some clues as to any editorial mistakes you made (overly long descriptions, slow pacing, etc). However, publishers do not want any comebacks from their rejection letters, and will know that giving explanations often results in you getting back in touch to dispute their claims.
You can try to get some additional explanations by sending a letter of request. This is your chance to get a professional critique of your work, and despite barrage of mortifying criticism it may evoke, it will nonetheless be useful and constructive for you. Most publishers will ignore you or give you a boilerplate excuse. If, however, the letter indicates that your text has been read carefully, and gives reasons why it has not been successful, stay in there and try your luck with another publisher.
The article was written by Meghan Ivarsson, a Scholar Advisor writer. Scholar Advisor is and educational portal for students by student. If you need help with your college assignment there you can find a lot of essay writing tips.
Wednesday, January 30, 2013
A Night of Dragon Wings
Dragonlore, the bestselling fantasy series beginning with A Dawn of Dragonfire, concludes with a tale of blood, steel, and flame.
BOOK THREE: A NIGHT OF DRAGON WINGS

Requiem burns. Her marble columns lie shattered. Queen Solina's army sweeps across the land, searching to kill every last dragon.
Among the ruins, Requiem's dragons plan a desperate attack. To survive, they must strike Solina at the heart of her desert empire. Yet as Requiem rallies, Solina raises her cruelest champions yet.
The nephilim, the spawn of demons and their mortal brides, have languished underground for epochs. Giants of rotted flesh, razor fangs, and clawed wings, they crave to crush the world that imprisoned them. When Queen Solina frees this unholy legion, the nephilim marshal under her banners... and swarm into Requiem.
Requiem's light dims. Her hope is but a flicker in an endless night. As ancient evil engulfs the world, Requiem's dragons roar, blow their fire, and fly to their last stand.
BOOK THREE: A NIGHT OF DRAGON WINGS
Requiem burns. Her marble columns lie shattered. Queen Solina's army sweeps across the land, searching to kill every last dragon.
Among the ruins, Requiem's dragons plan a desperate attack. To survive, they must strike Solina at the heart of her desert empire. Yet as Requiem rallies, Solina raises her cruelest champions yet.
The nephilim, the spawn of demons and their mortal brides, have languished underground for epochs. Giants of rotted flesh, razor fangs, and clawed wings, they crave to crush the world that imprisoned them. When Queen Solina frees this unholy legion, the nephilim marshal under her banners... and swarm into Requiem.
Requiem's light dims. Her hope is but a flicker in an endless night. As ancient evil engulfs the world, Requiem's dragons roar, blow their fire, and fly to their last stand.
Friday, December 28, 2012
2012 in Review
The year is winding to a close, and I see many authors posting their yearly retrospections. Who am I to resist peer pressure? So I'd like to talk a little about writing books in 2012.
I've been writing since the 1990s, and 2012 has been a banner year. You bought over 100,000 copies of my books this year, bringing me to a lifetime total of 150,000 sales. I'm still amazed -- and probably somewhat smug -- that you bought so many of these silly dragon books.
2012 began with some questions. At Christmas of 2011, I released my novel Light of Requiem, and third volume of my Song of Dragons trilogy. After a few years of writing obscure standalone novels, Song of Dragons became rather successful, selling over 100,000 copies. When 2012 began, I found myself wondering: What next?
Briefly, I debated whether I should write a fourth Song of Dragons novel, stretching the trilogy out into a longer series. I decided against it; I generally dislike series that ramble on for too long. I felt that wouldn't be fair to my readers.
And so, I decided to write Dragonlore -- a new fantasy trilogy set in Requiem, the same world as Song of Dragons. To keep things fresh, I fast-forwarded three hundred years and created a new cast of heroes and villains.
On hindsight, this was the right choice. So far, the first two Dragonlore novels -- A Dawn of Dragonfire and A Day of Dragon Blood -- are doing well. While the earlier trilogy had a strong action-adventure feel, this time around, the books are darker -- less A New Hope and more The Empire Strikes Back. This allows me to keep expanding Requiem and also, I hope, evolve as an author.
One fun moment in 2012 came when A Dawn of Dragonfire (the first Dragonlore novel) reached Amazon's Top 100 bestsellers list. This made it the #1 bestselling epic fantasy on Amazon, just ahead of George R. R. Martin's latest novel. Now, this ranking only lasted for a day (and George is again running way ahead), but what a day it was!
But my favorite thing about 2012 was meeting great new people. I loved hearing from all the readers who emailed me, liked my Facebook page, or followed me on Twitter. I try to reply to everyone who contacts me. If you messaged me in 2012, and I failed to answer, please try again. Your message might have gotten lost in my inbox, but I definitely want to reply to everyone.
So what's next? What will happen in 2013?
First of all, I'm working on A Night of Dragon Wings, the third and final Dragonlore novel. This one will be the longest, darkest, most complex Requiem novel yet. I hope to release it in February or March of 2013. I can't wait to hear what you think about it.
After that, I'd like to continue expanding the world of Requiem. I hope to write a third trilogy set in this world. The way Dragonlore begins three hundred years after Song of Dragons, this third trilogy will also skip forward to a new generation. It will tell a story for both new readers and old fans. I hope that, in 2013, I can release the first of these new novels.
As a final thought, I'd like to thank everyone who helped spread the word -- whether by telling a friend, posting an Amazon review, or simply sharing a Facebook post. These books could not exist without your support.
Thank you, dear readers, for making 2012 a success. I hope you keep reading in 2013. I look forward to another year full of dragons.
Daniel
Saturday, November 3, 2012
Eye of the Wizard -- Popular Highlights!
When reading on a Kindle, you can highlight a passage to save a quote you like. When three or more people highlight the same passage, Amazon saves it as a "Popular Highlight".
Finding these Popular Highlights can be tricky. Amazon will sometimes display them on a book's product page--but just sometimes, and just a few of them. Other times, you can view them on your Kindle by clicking "View Popular Highlights" (but only, it seems, the top ten highlights--some books with a hundred highlights on Amazon show only ten on Kindles). It gets even trickier. Some Kindle devices show highlights on a book, while another Kindle might not--even for the same book! For example, my novel The Gods of Dream shows three Popular Highlights on Amazon, zero on my Kindle 2, and ten on a friend's Kindle Paperwhite. Confusing and seemingly arbitrary. Author Moses Siregar recently blogged about the issue here.
Curious to see what my readers are highlighting, I checked a few of my books on Amazon, found a scattering of Popular Highlights there, and managed to view more by purchasing the novels and viewing Popular Highlights on my Kindle. Since Kindles display ten popular highlights at most (and this is inconsistent between devices and accounts), I'm sure I'm missing a bunch.
However, even those Popular Highlights I discovered quite amused me. In this blog post, I'd like to share the Top Ten Popular Highlights for my fantasy novel Eye of the Wizard! Here they are:
__________
"He tried to trip me!" Jamie said, wiping suds off her mouth.
"He twied to k-kidnap me!" Cobweb said.
Romy suddenly raised her head from the table. "I like turtles!" she announced, then passed out again, banging her head against the tabletop.
__________
"And Neev and I can put on a magic show!" Romy said, leaping to her feet, a smile spreading across her face. "Neev, you'll be the magician, and I'll be your sexy assistant." She sketched an elaborate bow. "I am, you know, an artiste."
__________
"Our prices are so low," Romy added cheerily, leaning against him, "you'll think we're mentally challenged."
__________
His face was like chiseled stone, but his eyes were haunted windows, shattered.
__________
"I don't want to hurt you," Jamie called, "but if you keep firing arrows, I'm going to cut off your head. Okay?"
__________
Ignorant humans, Romy thought, sure that anyone with fiery hair, horns, and fangs is evil.
__________
Suddenly, as Dry Bones prattled on, and as everyone was getting rather bored with his speech, a flow of lava burst into the room. The lava slammed into Dry Bones, knocking him against the wall, sizzling against him.
"Will you villains never learn?" Neev said, stepping into the room on goat hoofs, shaking drops of lava off his hands. "Never spend so much time explaining your plans."
_________
Awww... they gave me the third bed, all for me. They do love me. It made her feel all warm and ticklish inside. Oh wait, that's not warmth and tickliness. She stumbled toward the window and threw up some more. Blech. I am never drinking again.
_________
Awww... they gave me the third bed, all for me. They do love me. It made her feel all warm and ticklish inside. Oh wait, that's not warmth and tickliness. She stumbled toward the window and threw up some more. Blech. I am never drinking again.
__________
She was so beautiful, that if Dry Bones had lungs, his breath would die. She stood not a hundred yards away, shooting arrows from her bow into targets. She could as well have been cupid, shooting arrows of love into Dry Bones' heart--or at least, into his ribcage where his heart would once beat. Cobweb's hair seemed woven of gossamer, cascading down her back, not a strand out of place. With his hawklike vision, Dry Bones could see that her eyes were blue as sapphires, her ears were pointy, and golden freckles covered her small nose. It had been years since Dry Bones had loved a woman, but Cobweb stirred all those memories in him, raising fire in their ashes. She looked like an angel, he thought, an angel sent from heaven to cure his weary heart.
Nice boobs, too, he thought.
__________
My god, you guys highlight the silliest things.
My god, you guys highlight the silliest things.
Tuesday, October 30, 2012
Five Wishes for Star Wars VII
Disney purchased Lucasfilm today and announced Star Wars Episode VII.
If you're reading this, you probably grew up on Star Wars. You probably loved the original trilogy. You probably hated the prequels. You're not alone.
I don't know anyone at Disney or Lucasfilm, but like the Comic Book Guy from The Simpsons, I have a blog and I like to vent. So here are my "five commandments" for Star Wars VII. If I'm lucky, somebody at Disney will find this blog and obey.
Star Wars VII should feature:
1) Real characters, whom we care about, struggling through tough situations
The original Star Wars worked so well because we cared about the characters. We identified with Luke Skywalker. We admired Princess Leia. We wanted to be Han Solo. They talked and acted like real people; they were like fictional friends. When they struggled through tough times, we felt for them. The prequels failed because nobody cared about Qui-Gon or Amidala (I had to Google just to remember their names). For Star Wars VII, please: Give us real characters we can root for... and put them through hell.
2) No (or virtually no) CGI
Star Wars always worked best without fancy CGI. The dusty Tatooine of 1977's A New Hope seemed like a real place; the remastered version, with CGI reptiles tossed in, felt fake. The original dance in Jabba's lair was dusty, shadowy, and creepy; the remastered version was cartoonish--something out of a Pixar movie. One reason The Lord of the Rings movies worked so well is because they used CGI sparingly; they mainly employed miniatures, make up, and real locations. Disney, please don't use too much CGI in Star Wars Episode VII!
3) Good vs. Evil
The original Star Wars trilogy was the ultimate good vs. evil story. That's what audiences connected with. We don't care about trade disputes or political debates in a galactic senate. Please, Star Wars VII should feature heroic underdogs fighting powerful evil.
4) Grime and grit
The Jawa traders and their captive robots. The seedy space port. The hunk-of-junk Millennium Falcon. The original Star Wars was grimy, rusty, and beaten up. It felt real and worked in. Please, Star Wars VII should not look clean and futuristic. It should look just as dirty and beaten up as Jabba's slave pit.
5) A sense of wonder
The original trilogy had an epic scope. It was a grand, mythological adventure. It felt big--a timeless story. When Yoda appeared, the story felt downright mystical. By comparison, the prequels felt so small and dry. Please, Star Wars VII should emit that sense of wonder--the sense that we're witnessing a majestic legend.
Monday, August 6, 2012
The dragons fly again
The new dragon book is here.
A Dawn of Dragonfire: Dragonlore, Book 1
In 2011, the Song of Dragons trilogy introduced readers to mythical Requiem. A new dawn now rises. Dragonlore returns to Requiem with an epic story--for both new readers and old fans--of blood, steel, and dragonfire.
Learn more.
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